Mary Wollstonecraft Shelley, Frankenstein


1818 Inset


Biography of Mary Wollstonecraft Shelley (MWS)



1796    Matthew Lewis, The Monk

1797    Born Mary Wollstonecraft Godwin; her father, William Godwin, the author of An Enquiry Concerning Political Justice (1793) and Caleb Williams (1794), grieves over the loss of her mother, Mary Wollstonecraft, the author of a Vindication of the Rights of Woman (1792), when she dies following the birth

1814    Barely 17 and pregnant, she flees to the Continent with the poet Percy Bysshe Shelley and stepsister Claire Clairmont, leaving behind the first wife of PBS, who is also pregnant

1815    Feb.: First child of MW and PBS born prematurely and dies (Moers 323)

1816    William, second child of MWS and PBS, born, and they travel again with Claire to Geneva to live near Lord Byron and Dr. Polidori;  MWS writes Frankenstein June - August 1816, and then August - 17 April 1817, after being inspired by a French translation of German ghost stories, Fantasmagoriana, at Villa Diodati near Geneva

        That fall, her half sister Fanny Imlay and PBS's wife Harriet commit suicide

1817    Frankenstein fair copy

1818    Frankenstein published in 3 volumes; their one-year-old, Clara, dies

1819    William Shelley dies; only surviving child, Percy Florence, born; John Polidori, The Vampyre
d
1822    PBS drowns

1823    Godwin arranges for 2nd ed. of Frankenstein to be published in 2 volumes (Robinson 202); Presumption, or the Fate of Frankenstein staged in London

1824    Byron dies in Greece

1831    New edition of Frankenstein published, based on the 1823 text

1851    MWS dies in London




Discourses in Frankenstein:


Class, History, Human Rights or Slavery, Nation or Empire, Religion 


Aesthetics

Authorship, see also Canon

Birth

Citizen

Class

Creature

Demon


Doubles

Empire

Family, see also Birth



Golem

Gothic

History

Human




Language

Law

Literature



Monster

Narrative

Noble Savage 

The Novel


Race, see also Slavery and Species

Religion

Republic

Rights of Man

Romanticism

Rousseau


Science

Sensibility

Slave

Species

Sublime


Vocabulary



Questions

What names does Victor call himself, and his creation?

Which characters stand as doubles for other ones?


What are the similarities between Rousseau and Shelley?

Vol. I:  Closely analyze one of the scenes below. What characteristics and traits of European Romantic literature do they reflect?

1. p. 10: Robert Walton’s letter to his sister

2. p. 22: Victor Frankenstein’s medieval education

3. p. 32: Frankenstein’s motivation to create new life

4. p. 39: First page of Elizabeth’s letter 

5. p. 53: Justine


Vol. III:


1. Frankenstein explains that his life is a “tale of terrors” (137 1st ed.). What fears, real and imagined, does the tale of Frankenstein relate? How might audiences of the period have correlated these fears to their own lives?


2. What is the significance of Frankenstein’s dreams? (36/1.4, 127/3.4) Cross reference Shelley's allusion to dreaming while composing the novel in her 1831 preface (168: "Night waned . . . "). 


3. At the end of the novel, Walton faces a mutiny, one in which Frankenstein initially intercedes (154). What is Shelley trying to say about the use and misuse of authority, especially in an age that gives birth to men like Marat and Napoleon?


Works Cited

"Aesthetics." Oxford English Dictionary. 2012. Web. 
Ball, John Clement. “Imperial Monstrosities: ‘Frankenstein,’ the West Indies, and V. S. Naipaul.” ARIEL 32.3 (2001): 31–58. Print.

Butler, Marilyn. "Frankenstein and Radical Science." Mary Shelley's Frankenstein. New York: Norton, 2012. 404-16.

Hunter, J. Paul. "Mary Shelley: a Chronology." Frankenstein. NY: Norton, 1996.

"Canon." Oxford English Dictionary. 2012. Web. 

"Capital Punishment." Oxford English Dictionary. 2012. Web. 

"Chivalry." Oxford English Dictionary. 2012. Web.

"Citizen." Oxford English Dictionary. 2012. Web. 

"Creature." Oxford English Dictionary. 2012. Web.

"Demon." Oxford English Dictionary. 2012. Web.

"Dichotomy." Oxford English Dictionary. 2012. Web.

"Europe." Oxford English Dictionary. 2012. Web.

"Genre." Oxford English Dictionary. 2012. Web.

Gilbert, Sandra M. and Susan Gubar. "Mary Shelley's Monstrous Eve." Frankenstein. NY: Norton, 2012. 328-44. Print.

"Golem." Oxford English Dictionary. 2012. Web.

"Gothic." Oxford English Dictionary. 2012. Web.

Groden, Michael. "Fiction Theory and Criticism." Johns Hopkins Guide to Literary Theory and Criticism. Accessed Oct. 2, 2012. Web.

Grossman, Jonathan H. The Art of Alibi: English Law Courts and the Novel. Baltimore: Johns Hopkins University Press, 2002. Print.

Hoobler, Dorothy. The Monsters: Mary Shelley and the Curse of Frankenstein. New York: Little, Brown. Print.

"Human." Oxford English Dictionary. 2012. Web.

"Juxtaposition." Oxford English Dictionary. 2012. Web.

"Law." Oxford English Dictionary. 2012. Web.

Lauritsen, John. The Man Who Wrote Frankenstein. Pagan Press, 2007. Print.

"Literature." Oxford English Dictionary. 2012. Web.

Marshall, David. "Frankenstein, or Rousseau's Monster: Sympathy and Speculative Eyes." The Surprising Effects of Sympathy: Marivaux, Diderot, Rousseau, and Shelley. Chicago and London: U of Chicago P, 1988. 178-233. Print

McLane, Maureen N. “Literate Species: Populations, ‘Humanities,’ and Frankenstein.” ELH 63.4 (1996): 959–988. Web. 29 Sept. 2012.

"Monster." Oxford English Dictionary. 2012. Web.

Moers, Ellen. "Female Gothic: the Monster's Mother." Mary Shelley's Frankenstein. New York: Norton, 2012. Print.

Maleki, Nasser, and Maryam Navidi. “Foucault’s Idea of Power in Shelley’s Mont Blanc.” Cross-Cultural Communication 7.3 (2011): 96–102.

Miall, David S. “Foregrounding and the Sublime: Shelley in Chamonix.” Language and Literature 16.2 (2007): 155–168. Web. 7 Oct. 2012.

Mudge, Bradford Keyes. British Romantic Novelists, 1789-1832 Vol. 116 of Dictionary of Literary Biography. Bruccoli Clark Layman Book, 1992. Web. (Sprague Library: available online)

Punter, David and Glennis Byron. The Gothic. Blackwell, 2004. Print.

Reese, Diana. “A Troubled Legacy: Mary Shelley’s Frankenstein and the Inheritance of Human Rights.” Representations 96.1 (2006): 48–72. Print.

"Republic." Oxford English Dictionary. 2012. Web.

Robinson, C. "Texts in Search of an Editor: Reflections on the Frankenstein Notebooks and on Editorial Authority." Mary Shelley's Frankenstein. New York: Norton, 2012. 198-204. Print.

"Science." Oxford English Dictionary. 2012. Web.


"Sensibility." Oxford English Dictionary. 2012. Web.

Shelley, Mary. Frankenstein. NY: Norton, 2012. Print.

Shelley, P. B. "Declaration of Rights." Romantic Circles. Eds. Donald H. Reiman and Neil Fraistat. 2012. Web.

"Slave." Oxford English Dictionary. 2012. Web.

Smith, Adam. The Theory of Moral Sentiments. Edinburgh: A. Millar, A. Kincaid and J. Bell, 1761. Print.

"Sublime." Oxford English Dictionary. 2012. Web.

"Sympathy." Oxford English Dictionary. 2012. Web.

"Terror." Oxford English Dictionary. 2012. Web.

"Vitalism." Oxford English Dictionary. 2012. Web.

Wry, Joan Reiss. “Panoptic Perspectives in Shelley’s Mont Blanc: Collapsed Distance and the Alpine Sublime.” The Explicator 67.1 (2008): 30–33. Web. 7 Oct. 2012.






"Frankenstein." Wendy Nielsen, Oct. 2, 2012