HONP 101 (Great Books/Ideas II): Making Modern Worlds


British Library
        exhibition poster
From the British Library exhibition on Science Fiction Feminisms

Spring 2012: Tuesdays 1-2:15 in DI 432, Thursdays online (sometimes 1-2:15)
http://chss.montclair.edu/~nielsenw/565s12.html
<http://english.montclair.edu>

Prof. Wendy Nielsen
Office Hours: drop in Tuesdays 2:30-5:30, & by appt. in Dickson Hall 352.
Email: nielsenw@mail . . . 

Texts available at University Bookstore (please use translations selected here):
Additional Texts Available on Blackboard (Bb):
Course description: The purpose of this course is to introduce students to the so-called Great Books of Western literature before 1900, from the Early Modern (Renaissance, Restoration) period through the early nineteenth century (eighteenth century, Storm and Stress, Romanticism). This first-year seminar is subtitled “Making Modern Worlds” because our reading charts authors' engagement with creating new scientific, utopian, psychological, and colonial worlds. Authors include Francis Bacon (New Atlantis), Margaret Cavendish (The Blazing World), Voltaire (Candide), Rousseau (Confessions), and Goethe (Sufferings of Young Werther and Faust). Familiarity with most of these authors traditionally constitutes membership to an educated community, but we will query what makes these texts "great" (or not) and also prepare students for next semester's focus on modern literature. In what ways does technological, scientific, social, and political progress change human relations, and what it means to be human? We will try to see if these authors propose any solutions to the formation of identity through gender, class, and racial roles.

Requirements: Click here to get an explanation of my shorthand on Style issues, and my criteria for grading: http://chss.montclair.edu/~nielsenw/correction.html

#1: The Spirit of a Democratic Classroom: Respect, Collegiality, and Integrity

#2: Participation (10%): Incl. regular attendance, contribution to class discussion, discussion questions, peer review, in-class and online writing assignments that occur in a timely manner.

#3: Portfolio of Close Analyses (CA): (critical intro., 3-4 originals + at least 1 revision that highlights your editing skills, and all original analyses with my comments on them)--25%: Please access the assignment on this page: http://chss.montclair.edu/~nielsenw/101-ca.html

#4: Research Synopsis (RS)--15%: Each student will write one synopsis (similar to an annotated bibliographical entry) on a critical, scholarly article. The purpose of this assignment is to provide yourself and other students with authoritative information about these books. Therefore, we will post this material on Blackboard, and you must present your synopsis in class on the assigned day (or have 2 points deducted from the final total). After reading, digesting, and thinking critically about your assigned essay, answer the following questions, in about 1 to 2 pages: 1) What is the author’s argument? 2) How does the author support this argument? What kinds of evidence does she use? 3) What does the author hope to accomplish by writing this piece? What kind of bias might the author have? 4) Who is the author’s audience? To what kind of scholarly debate is she contributing? 5) How does this research change your perspective on the primary work?

IMPORTANT EVALUATION NOTE: You must distinguish between your ideas and those of the authors you are reporting on. You must cite every time you report an author's ideas, not only by citing page numbers, but also by indicating through words and phrasing ("According to Smith's book Literature . . . "; "The author of this article argues . . . ") that you are reporting second-hand information. Failure to do so could result in a 0 on this paper, because pretending another's ideas are your own constitutes plagiarism. The synopsis should conclude with a Works Cited, of both the article you summarize, and the primary text to which it refers. If you turn the synopsis in on time, then I usually give the option of revising it for a new grade in a week's time.

#5: 2 out of 3 Essay Exams--50% total (top 2 scores = 25% each): At the end of each unit, students will write an an essay exam on the two primary texts read for that unit. These exams are open-book, the exam questions are given ahead of time, and you may have one page of notes (outline-form only). I will select the top 2 scores out of the 3 exams. If you choose, you may rewrite one of these essays during finals week for a new evaluation.

Policies: Tentative schedule subject to change; please check your Montclair email and <http://chss.montclair.edu/~nielsenw/101s12.html> for updates
Date
Class Activities Homework Due
T 1/17
Course + student intro. Acquire your books, please! Thursday's reading assignment is in the cell below
Unit I: Technological and Scientific Progress in the Early Modern Era
R 1/19 online asynchronous
New Atlantis Read F. Bacon, New Atlantis (pdf on Blackboard); & follow directions on Blackboard > Online Classes > 1/19
T 1/24
Review; Blazing World; Close Analysis
Read Cavendish (119-202, Pt. I); DQ #1 (Cavendish): Post 1 or more discussion questions about Cavendish on Blackboard > Discussion Forum > Cavendish (click Add Thread). These questions might include ones you would pose as an instructor of the class, things you are confused about in the reading, or a mix between the two. The purpose of discussion questions is to open a dialogue between you and me; to make this a student-centered classroom; and to help students become better writers by becoming critical thinkers, or people who question what they read. Discussion questions are not evaluated,  are not mandatory, but are taken into consideration for your Participation Grade.  Please feel free to respond to other students' queries if you feel inspired to answer; I will take such responses as extra credit for your Participation Grade (and enjoy reading them, of course). 
R 1/26 online asynchronous
Review; Blazing World; Essay Exam #1 Read Cavendish (202-end, Pt. II); Close Analysis (CA) #1: Write a Close Analysis about a passage in Bacon or Cavendish, and copy and paste to Blackboard; see other instructions on Blackboard > Online Classes 
T 1/31
Review for Essay #1: Early Modern Utopias; RS 1-2 Research Synopsis 1-2: From Price: Colclough, "Ethics and Politics" (60-81); RS2: Iyengar, S. 
R 2/2 online asynchronous
Essay #1--No make-up dates Essay Exam #1 due on Safe Assign (instructions TBA)
Unit II--Social and Psychological Progress in the Eighteenth Century
T 2/7
What is Romanticism? Romantic Art; Goethe, Werther; Irony; Close Analyses; Blackboard Collaborate Read Goethe 1-61; DQ #2 (Werther): Post 1 or more discussion questions about the reading on Blackboard
R 2/9 online synchronous
Werther Read Goethe 62-end; CA #2 (Werther): Write a Close Analysis about a passage in Werther, and copy and paste to Blackboard. see other instructions on Blackboard > Online Classes for our first Bb Collaborate/Elluminate session.
T 2/14
Review; Confessions (Bk 1, 2) Read Rousseau, 1-70
R 2/16 online asynchronous Confessions (Bk 2, 3) Read Rousseau, 71-128
T 2/21
Confessions (Bk 4-6) Read Rousseau, 160-62, 172-240; DQ #3 (Rousseau): Post 1 or more discussion questions about the reading on Blackboard
R 2/23 online synchronous Confessions (Bk 6-7) Read Rousseau, 255-73 and 307-39; CA #3 (Rousseau): Write a Close Analysis about a passage in Confessions, and copy and paste to Blackboard; see other instructions on Blackboard > Online Classes for our Bb Collaborate/Elluminate session.
T 2/28
Confessions (Bk 8 & 12) Read Rousseau 344-91, 592-642
R 3/1 online synchronous Review for Essay Exam #2; RS 3-4 Bring ques. about Rousseau and Goethe to class; bring journal entry, and texts, in order to review; RS3Cowles & RS4: Bennett
T 3/6
In-class Essay Exam #2:--No make-up dates Bring Rousseau, Goethe, and one page of notes (written on back of exam) to class.
Unit III: Philosophical and Political Progress, ca. 1750 - 1832
R 3/8 online asynchronous
Candide
Read Voltaire, 1-39 (thr. ch. 18); Go to Blackboard and follow directions for rest of class. 
Spring Break
T 3/20
Review; Candide
Read Voltaire, 39-89
R 3/22 online asynchronous Review; Faust I Read Goethe 9-49 (245/"Prologue in Heaven" through 1850/Study, up to where M. speaks w/the Student)
T 3/27  Faust I Read Goethe 49-101 (1850/Study - 3585/thr. "At the Well")
R 3/29 asynchronous Faust I, concl. Read Goethe 102-19 & 126-35 (3590-4220 & Dreary Day - 4610/end Pt. I but skip Walp. Night Dream)
T 4/3 Review; Faust II, Act I 135 (4615/first few lines of Faust II, "Charming Landscape"), 142-46 (4895-5000/Imp. Res.), 170-79 (5970/end of Spac. Hall + Pleasance - 6305/Dark Gallery), and 182-86 (6380-6565/Hall); DQ #4 (Faust): Post 1 or more discussion questions about the reading on Blackboard
R 4/5 online synchronous
Faust II, some of Act II
Read Goethe 194-213 + 219-227 (6570-7490 + 7695-8030/Upper Peneios)
T 4/10 Faust II, Act II, sc. 1 of Act III; Faust Game
Read Goethe 228-258 (8035/Rocky - 9125/Palace); Hamlin, "Faust in Performance" (Bb) (bring a copy to class if possible)
R 4/12 online asynchronous
Faust II, Act III Read Goethe 259-71 (9130/Courtyard - 9575) + 275-85 (9695-10035/end of Act III); CA #4 (Faust): Write a Close Analysis about a passage in Faust, and copy and paste to Blackboard
T 4/17 Review; Faust II, Act V Read Goethe 313-344 (11045-12110/all of Act V); last day to turn in extra credit
R 4/19 online synchronous
Review for Exam #3; RS 5-6 Bring any questions about Voltaire, or Goethe to class; RS5: Hoezel & RS6: at least 10 pages from one or more of the interpretive essays at the back of Candide (list each item separately in the Works Cited, alongside the orig. publication info. of each excerpted piece, which should be cited as "Rpt. . . . "); Go to Blackboard and follow directions for rest of class. 
T 4/24
Disc. of Close Analyses
Portfolio of Close Analyses due; optional (and separate): Participation Packet (all discussion questions, incl. new/late ones, old ones, simply stapled or clipped) due; this is the last day to turn in late material for class. 
R 4/26 online asynchronous Essay Exam #3 Essay Exam #3 due on Safe Assign (instructions TBA)
T 5/8 3:15-5:15pm
Portfolios returned; Optional: Rewrite your lowest-scoring exam Instructions TBA