Cyberpunk Unit


Cyberpunk: Science fiction in which computers become integrated with the human body (such as cyborgs, but more usually through nanotechnology); set in dystopian futures with tribal societies (punk aspect)


- William Gibson, Neuromancer (1984)


- Dictionary.com definition

From OED:


"1. a. A subgenre of science fiction typified by a bleak, high-tech setting in which a lawless subculture exists within an oppressive society dominated by computer technology.   b. An author of, or protagonist in, such writing."


TIMELINE:


From the 1980s and 1990s (though not according to David Brin), time of personal computers and Macs, forays into virtual reality, and eventually what we consider the world wide web

Outside Links:

- The Cyberpunk Project

- Dark Art, a page about an artist using cyberpunk motifs

- "Elements of a Critique of Cyberpunk" (cool pics; in French--go to Altavista Babel Fish to translate)



Neal Stephenson, The Diamond Age; or, a Young Lady's Illustrated Primer

(1995; winner of 1996 Hugo Award for best SF novel)

cover


Also author of:


Genre / Category:

In addition to cyberpunk, the book is


-    a Bildungsroman (novel of maturation and education)

-    a coming-of-age book

- a book within a book


Technical & Historical Vocabulary:

Other Outside Links on this novel:


 - A discussion of the "failures" of The Diamond Age (major SPOILER alert!!): http://groups.google.com/group/rec.arts.sf.written/browse_thread/thread/d46d4127d579e3bc/d1a25cbda84f1e47?#d1a25cbda84f1e47

- Review of the book (SPOILERS): http://www.sfsite.com/~silverag/stephenson.html


Discussion Questions:


The name and/or concept of “Atlantis” has surfaced in three works we have read this semester. Explain what Atlantis means in each case and speculate on why it is such a popular motif for science fiction writers.

What do the different writers we encounter in SF (R in We, Helmholtz in BNW, and now Nell in Diamond Age) bring to their respective stories? Could the authors be trying to make an argument about the function of SF as a literary genre, and and if so, what is it?



Wendy C. Nielsen, April 2006

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