Cyberpunk: Science fiction in which computers become integrated
with the human body (such as cyborgs, but more usually through
nanotechnology); set in dystopian futures with tribal societies (punk
aspect)
"1. a. A subgenre of science fiction typified by a bleak,
high-tech setting in which a lawless subculture exists within an
oppressive society dominated by computer technology. b.
An author of, or protagonist in, such writing."
TIMELINE:
From the 1980s and 1990s (though not according to David Brin),
time of personal computers and Macs, forays into virtual reality, and
eventually what we consider the world
wide web
Neal
Stephenson, The Diamond Age; or, a Young Lady's Illustrated
Primer
(1995; winner of 1996 Hugo Award for best SF novel)
Also author of:
Snow Crash
Cryptonomicon
Quicksilver series
Genre / Category:
In addition to cyberpunk, the book is
- a Bildungsroman (novel of maturation and
education)
- a coming-of-age book
- a book within a book
Technical & Historical Vocabulary:
artifex
(p. 105, 114): a CASE (Computer-Aided Software Engineering) tool that
makes code
Boxer
Rebellion: European-Chinese conflict in 1900; ex. of imperialism in
Asia
meme:
(from Richard Dawkins) Directly analagous to a gene, but instead of
biological material replicating itself, ideas and culture replicate
themselves; an element of cultural transmission; urban legends,
religion, and backwards baseball caps are examples of memes
Miranda: Prospero's daughter in Shakespeare's The Tempest
("o brave new world!") and a functional programming
language
The name and/or concept of “Atlantis” has surfaced in three works we
have read this semester. Explain what Atlantis means in each case and
speculate on why it is such a popular motif for science fiction
writers.
What do the different writers we encounter in SF (R in We,
Helmholtz in BNW, and now Nell in Diamond Age) bring to
their respective stories? Could the authors be trying to make an
argument about the function of SF as a literary genre, and and if so,
what is it?