Italian American Film at
Montclair State University, Spring 2001
A Film Festival Presented by
The Italian American Student Organization
The Department of Spanish and Italian
The Deanís Office of the College of the Humanities and Social Sciences
FIERI Northern New Jersey
Film
Festival Press Release
All film screenings will take place at 7:00 p.m. in Brantl Lecture Hall
in Dickson Hall on the Montclair State University campus in Upper Montclair,
New Jersey. They will be followed by a question-and answer-session with
the directors. There is no cost for the screenings and the lecture and
all events are open to the public.
Film Program
February 1: Tanabèss with Director Luisa Pretolani
Tanabèss (1997) by Luisa Pretolani, is the story, set
in the summer of 1972 in Ravenna, Italy, of a young man Giboís efforts
to make money by fishing and smuggling in order to visit his girlfriend
Yonna in Denmark. Two key figures in his life? his spiritual mentor, his
anarchist-Communist friend? disapprove of his decision to leave everything
behind. Gibo finds solace instead with Bubus, the "Owner of the River."
Giboís daily life is interrupted by the arrival of Orcinamum, and African
man, who was a rare sight on Italian beaches at that time, and who becomes
Giboís companion for the summer. By the end of the summer, Gibo has made
enough money to leave for his Danish dream. But like every dream, the awakening
can often be quite unexpected. In Italian with English subtitles. This
film was selected as the only Italian feature film at The International
Film Festival in Portugal (9/98) and the New York International Independent
Film and Video Festival (5/99).
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Luisa Pretolani started her career in New York producing documentaries
on gender and emigration. Her past documentary projects New York/Ravenna:
One Way and Things I Take earned several awards, including Special Mention
at the Mixed Messages Festival at the New School University in New York
(6/98), A Special Mention at the World Population Video Festival in Boston
(10/97) and a First Runnerís Up at the American Film Institute in LA (7/97).
Luisa is currently in post-production of her second feature film Tizca,
and is raising funds for her next documentary on women and war, Leaving/Living.
For more information on her films, visit these websites: http://www.pahni.com,
http://www.tanabess.com,
http://www.tizca.it
February 22: Ama l'uomo tuo (Stand By Your Man) and Fuori/Outside
with Directors Cara De Vito and Kym Ragusa
Two documentary films, Ama l'uomo tuo (Stand By Your Man) by
Cara De Vito and Fuori/Outside by Kym Ragusa, provide a candid and
in-depth look at their Italian American roots and specifically, trace the
stories of some of the remarkable women that kept their families, their
futures, and their artistic visions intact and vibrant. These films investigate
issues such as gender and ethnicity with clarity, sensitivity, and great
humanity. In English.
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Cara De Vito has been making documentaries since 1974. She earned
two New York Emmy nominations (co-directed with Jeffrey Kleinman) for best
documentary and outstanding individual craft for her film documentary What
Could You Do With a Nickle?, the inspiring story of 200 African American
and Hispanic women in the South Bronx who formed the first domestic workersí
union. She received an Emmy for Outstanding Individual Craft for film editing.
Cara is the recipient of two fellowships from the National Endowment for
the Arts, and other grants and awards. In 1981 she began a 17-year tenure
at NBC News in New York, editing and producing feature news stories. After
receiving a Nieman Fellowship at Harvard University three years ago, she
negotiated a buy out from NBC News to form her own production company,
Hey Hey Pictures in Rhinebeck, New York.
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Kym Ragusa is a New York-based film- and videomaker, teacher, and
curator. She is originally from the Bronx; her fatherís family comes from
Sicily and Calabria, and her motherís family is of mixed African American,
Native American, Chinese and German descent. Her work pushes the boundaries
between memoir, anthropology, history, and fiction. In-betweenness is a
common theme in her films, videos, and writing: between cultures, communities,
and generations, between home and exile, between family secrets and public
declarations. She is currently working on a number of projects: a short
experimental film reworking the myth of Persephone; a documentary about
immigrant women in East Harlem (Italian, Puerto Rican, Mexican, and Haitian)
and their relationship to the Madonna of Mount Carmel; and Motel, her first
narrative film. In 1999, Kym was the recipient of a New York Foundation
for the Arts Fellowship in Film.
March 1: Household Saints with Director Nancy Savoca
Household Saints (1993) by Nancy Savoca traces the lives of three
generations of Italian American women. In post-World War II New York, Joseph
Santangelo (Vincent D'Onofrio) wins Catherine Falconetti (Tracey Ullman)
when her father, Lino (Victor Argo), bets her in a pinochle game. To Lino's
surprise, Santangelo takes the bet seriously. Santangeloís hyperreligious
and superstitious mother, Carmela (Judith Malina)? who makes the best sausages
around? disapproves of mousy Catherine and is appalled by her cooking.
Nevertheless, Catherine and Joseph marry and are blessed with a daughter,
Teresa (Lili Taylor), a religious zealot even as a child. As a teenager,
Teresa's devotion becomes ever more extreme, alarming her boyfriend (Michae
Imperioli) and her parents. The film is based on Francine Proseís novel
of the same name.
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Nancy Savoca, an independent filmmaker, after winning a student
film award from NYU for her short films Renata and Bad Timing,
made her feature directing and co-screenwriting debut with True Love
(1989), a comedy about Italian American courtship and the ritual of marriage
in the Bronx. She entered the industry with various production jobs,
including as production assistant for Jonathan Demme for Married to
the Mob and for John Sayles for Brother From Another Planet.
In 1991, Nancy made Dogfight, her first Hollywood production. She
returned to independent filmmaking with Household Saints in 1993. Her most
recent feature film was released in 1999, entitled The 24-Hour Woman,
and starred Rosie Perez. Nancy has also gained recognition for her
work on the small screen. In 1995, she was asked by Stephen Bochco to direct
an episode of "Murder One" (ABC) and did episode five of the ongoing series.
She directed both the "1952" and "1974" segments (as well as the scripting
of all three) of If These Walls Could Talk (1997) for HBO. For this
and more information, visit www.bigstar.com
March 15: Special Lecture Topic. "Who's Afraid of Stereotypes?
Understanding the Gangster in Italian American Film."
A lecture given by Fred Gardaphè, Director of the Italian American
Studies Program at the State University of New York at Stony Brook, where
he teaches such courses as Italian American Film, The Gangster in Italian
American Literature, and Making American Identities. He is the author of
Italian
Signs, American Streets.
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Dr. Gardaphè's will trace the gangster created by Hollywood,
a cinematic figure that has had a profound effect on the development of
an ethnic stereotype. He will posit the question as to what the gangster
means in American culture, how it is expressed in film and on TV, and how
Italian American directors, past and present, use the figure differently.
The lecture promises some unexpected insights into the past, present and
future of American culture
March 29: Italian American Short Films
The Italian American Short Film Night, presented by director
Marco
Ricci. This unique selection of short films celebrates new visions
of the Italian American experience. The films span various themes: the
immigrant experience, growing up and working in Italian American families
and neighborhoods, and the search for self-realization, among others. From
the dramatic to the comedic, these films are simply unforgettable! Titles
to be announced. In English or Italian, subtitled.
Contact Info. Email: trubianom@mail.montclair.edu;
(973) 655-7950