Harriet Hanson Robinson, from Loom and Spindle (New York: Crowell, 1898)

(reproduced from Bedford edition of Davis, Life in the Iron-Mills, pp. 160-168)

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The [textile mill] "Print Works" was a great mystery in its early days. It had its secrets and it was said that no stranger was allowed to enter certain rooms, for fear that the art would be stolen. The first enduring color in print was an indigo blue. This was the groundwork; and a minute white spot sprinkled over it made the goods lively and pretty. It wore like "iron," and its success was the first step toward the high standard in the market once held by the "Merrimack Print." 1

Before 1840, the foreign element in the factory population was almost an unknown quantity. The first immigrants to come to Lowell were from England. The Irishman soon followed; but not for many years did the Frenchman, Italian, and German come to take possession of the cotton-mills. The English were of the artisan class, but the Irish came as " hewers of wood and drawers of water." The first Irishwomen to work in the Lowell mills were usually scrubbers and waste-pickers. They were always good-natured and when excited used their own language; the little mill-children learned many of the words (which all seemed to be joined together like compound words) and these mites would often answer back, in true Hibernian' fashion. These women, as a rule, wore peasant cloaks, red or blue, made with hoods and several capes, in summer (as they told the children), to "kape cool," and in winter to "kape warrum." They were not intemperate, nor "bitterly poor." They earned good wages, and they and their children, especially their children, very soon adapted themselves to their changed conditions of life, and became as "good as anybody."

To show the close connection in family descent of the artisan and the artist, at least in the line of color, it may be said here that a grandson of one of the first blue-dyers in this country Is one of the finest

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American marine painters, and exhibited pictures at the World's Columbian Exposition of 1893.

In 1832 the factory population of Lowell was divided into four classes. The agents of the corporations were the aristocrats, not because of their wealth, but on account of the office they held, which was one of great responsibility, requiring, as it did, not only some knowledge of business, but also a certain tact in managing, or utilizing the great number of operatives so as to secure the best return for their labor. The agent was also something of an autocrat, and there was no appeal from his decision in matters affecting the industrial interests of those who were employed on his corporation.

The agents usually lived in large houses, not too near the boardinghouses, surrounded by beautiful gardens which seemed like Paradise to some of the home-sick girls, who, as they came from their work in the noisy mill, could look with longing eyes into the sometimes open gate in the high fence, and be reminded afresh of their pleasant country homes. And a glimpse of one handsome woman, the wife of an agent, reading by an astral lamp in the early evening, has always been remembered by one young girl, who looked forward to the time when she, too, might have a parlor of her own, lighted by an astral lamp!

The second class were the overseers, a sort of gentry, ambitious mill-hands who had worked up from the lowest grade of factory labor; and they usually lived in the end-tenements of the blocks, the short connected rows of houses in which the operatives were boarded. However, on one corporation, at least, there was a block devoted exclusively to the overseers, and one of the wives, who had been a factory girl, put on so many airs that the wittiest of her former work-mates fastened the name of "Puckersville" to the whole block where the overseers lived. It was related of one of these quondam factory girls, that, with some friends, she once re-visited the room in which she used to work, and, to show her genteel friends her ignorance of her old surroundings, she turned to the overseer, who was with the party, and pointing to some wheels and pulleys over her head, she said, "What's them things up there?"

The third class were the operatives, and were all spoken of as "girls" or "men;" and the "girls," either as a whole, or in part, are the subject of this volume.

The fourth class, lords of the spade and the shovel, by whose constant labor the building of the great factories was made possible, and whose children soon became valuable operatives, lived at first on what was called the "Acre," a locality near the present site of the

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North Grammar schoolhouse. Here, clustered around a small stone Catholic Church, were hundreds of little shanties, in which they dwelt with their wives and numerous children. Among them were sometimes found disorder and riot, for they had brought with them from the ould counthrey their feuds and quarrels....

I had been to school constantly until I was about ten years of age, when my mother, feeling obliged to have help in her work besides what I could give, and also needing the money which I could earn, allowed me, at my urgent request (for I wanted to earn money like the other little girls), to go to work in the mill. I worked first in the spinning-room as a "doffer." The doffers were the very youngest girls, whose work was to doff, or take off, the full bobbins, and replace them with the empty ones.

I can see myself now, racing down the alley, between the spinning-frames, carrying in front of me a bobbin-box bigger than I was. These mites had to be very swift in their movements, so as not to keep the spinning-frames stopped long, and they worked only about fifteen minutes in every hour. The rest of the time was their own, and when the overseer was kind they were allowed to read, knit, or even to go outside the mill-yard to play.

Some of us learned to embroider in crewels, and I still have a lamb worked on cloth, a relic of those early days, when I was first taught to improve my time in the good old New England fashion. When not doffing, we were often allowed to go home, for a time, and thus we were able to help our mothers in their housework. We were paid two dollars a week; and how proud I was when my turn came to stand up on the bobbin-box, and write my name in the paymaster's book, and how indignant I was when he asked me if I could "write." "Of course I can," said I, and he smiled as he looked down on me.

The working-hours of all the girls extended from five o'clock in the morning until seven in the evening, with one-half hour for breakfast and for dinner. Even the doffers were forced to be on duty nearly fourteen hours a day, and this was the greatest hardship in the lives of these children. For it was not until 1842 that the hours of labor for children under twelve years of age were limited to ten per day; but the "ten-hour law" itself was not passed until long after some of these little doffers were old enough to appear before the legislative committee on the subject, and plead, by their presence, for a reduction of the hours of labor.

I do not recall any particular hardship connected with this life, except getting up so early in the morning, and to this habit, I never was,

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and never shall be, reconciled, for it has taken nearly a lifetime for me to make up the sleep lost at that early age. But in every other respect it was a pleasant life. We were not hurried any more than was for our good, and no more work was required of us than we were able easily to do.

Most of us children lived at home, and we were well fed, drinking both tea and coffee, and eating substantial meals (besides luncheons) three times a day. We had very happy hours with the older girls, many of whom treated us like babies, or talked in a motherly way, and so had a good influence over us. And in the long winter evenings, when we could not run home between the doffings, we gathered in groups and told each other stories, and sung the old-time songs our mothers had sung, such as "Barbara Allen," "Lord Lovell," "Captain Kid," "Hull's Victory," and sometimes a hymn.

Among the ghost stories I remember some that would delight the hearts of the "Society for Psychical Research." The more imaginative ones told of what they had read in fairy books, or related tales of old castles and distressed maidens; and the scene of their adventures was sometimes laid among the foundation stones of the new mill, just building.

And we told each other of our little hopes and desires, and what we meant to do when we grew up. For we had our aspirations; and one of us, who danced the "shawl dance," as she called it, in the spinning-room alley, for the amusement of her admiring companions, discussed seriously with another little girl the scheme of their running away together, and Joining the circus. Fortunately, there was a grain of good sense lurking in the mind of this gay little lassie, with the thought of the mother at home, and the scheme was not carried out.

There was another little girl, whose mother was suffering with consumption, and who went out of the mill almost every forenoon, to buy and cook oysters, which she brought in hot, for her mother's luncheon. The mother soon went to her rest, and the little daughter, after tasting the first bitter experience of life, followed her. Dear Lizzie Osborne! little sister of my child-soul, such friendship as ours is not often repeated in after life! Many pathetic stories might be told of these little fatherless mill-children, who worked near their mothers, and who went hand in hand with them to and from the mill.

I cannot tell how it happened that some of us knew about the English factory children, who, it was said, were treated so badly, and were even whipped by their cruel overseers. But we did know of it, and used to sing, to a doleful little tune, some verses called, "The

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Factory Girl's Last Day." I do not remember it well enough to quote it as written, but have refreshed my memory by reading it lately in Robert Date Owen's 3 writings:

THE FACTORY GIRL'S LAST DAY

"'Twas on a winter morning,
The weather wet and wild,
Two hours before the dawning
The father roused his child,
Her daily morsel bringing,
The darksome room he paced,
And cried, 'The bell is ringing My hapless darling, haste!'

The overlooker met her
As to her frame she crept;
And with his thong he beat her,
And cursed her when she wept.
It seemed as she grew weaker,
The threads the oftener broke,
The rapid wheels ran quicker,
And heavier fell the stroke."

The song goes on to tell the sad story of her death while her "pitying comrades" were carrying her home to die, and ends:

"That night a chariot passed her,
While on the ground she lay;
The daughters of her master,
An evening visit pay.
Their tender hearts were sighing,
As negroes' wrongs were told,
While the white slave was dying
Who gained her father's gold."

In contrast with this sad picture, we thought of ourselves as well off, in our cosey corner of the mill, enjoying ourselves in our own way, with our good mothers and our warm suppers awaiting us when the going-out bell should ring.

Holidays came when repairs to the great mill-wheel were going on, or some late spring freshet caused the shutting down of the mill; these were well improved. With what freedom we enjoyed those happy times! My summer playhouse was the woodshed, which my mother

 

3 Robert Dale Owen: (1771-1858) British industrialist and socialist.

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always had well filled; how orderly and with what precision the logs were sawed and piled with the smooth ends outwards! The catacombs of Paris reminded me of my old playhouse. And here, in my castle of sawed wood, was my vacation retreat, where with my only and beloved wooden doll, I lunched on slices of apple cut in shape so as to represent what I called "German half-moon cakes." I piled up my bits of crockery with sticks of cinnamon to represent candy, and many other semblances of things, drawn from my mother's housekeeping stores.

The yard which led to the shed was always green, and here many half-holiday duties were performed. We children were expected to scour all the knives and forks used by the forty men-boarders, and my brothers often bought themselves off by giving me some trifle, and I was left alone to do the whole. And what a pile of knives and forks it was! But it was no task, for did I not have the open yard to work in, with the sky over me, and the green grass to stand on, as I scrubbed away at my "stent"? I don't know why I did not think such long tasks a burden, nor of my work in the mill as drudgery. Perhaps it was because I expected to do my part towards helping my mother to get our living, and had never heard her complain of the hardships of her life.

On other afternoons I went to walk with a playmate, who, like myself, was full of romantic dreams, along the banks of the Merrimack River, where the Indians had still their tents, or on Sundays, to see the "new converts" baptized. 4 These baptizings in the river were very common, as the tanks in the churches were not considered apostolic by the early Baptists of Lowell.

Sometimes we rambled by the "race-way" or mill-race, which carried the water into the flume of the mill, along whose inclining sides grew wild roses, and the "rock-loving columbine;" and we used to listen to see if we could hear the blue-bells ring, -this was long before either of us had read a line of poetry.

The North Grammar school building stood at the base of the hilly ridge of rocks, down which we coasted in water, and where in summer, after school-hours, we had a little cave, where we sometimes hid, and played that we were robbers; and together we rehearsed the dramatic scenes in "Alonzo and Melissa," "The Children of the

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Abbey," or the "Three Spaniards; 5 we were turned out of doors with Amanda, we exclaimed "Heavens!" with Melissa, and when night came on we fled from our play-house pursued by the dreadful apparition of old Don Padilla 6 through the dark windings of those old rocks, towards our commonplace home. "Ah!" as some writer has said, "if one could only add the fine imagination of those early days to the knowledge and experience of later years, what books might not be written!"

Our home amusements were very original. We had no toys, except a few homemade articles or devices of our own. I had but a single doll, a wooden-jointed thing, with red cheeks and staring black eyes. Playing-cards were tabooed, but my elder brother (the incipient D.D.), who had somehow learned the game of high-low-jack, set about making a pack. The cards were cut out of thick yellow pasteboard, the spots and figures were made in ink, and, to disguise their real character, the names of the suits were changed, Instead of hearts, diamonds, spades, and clubs, they were called charity, love, benevolence, and faith. The pasteboard was so thick that all together the cards made a pile at least two or three feet high, and they had to be shuffled in sections! He taught my second brother and me the game of high-low-lack; and, with delightful secrecy, as often as we could steal away, we played in the attic, keeping the cards hidden, between whites, in an old hair trunk. In playing the game we got along very well with the names of the face-cards, -the "queen of charity" the "king of love," and so on; but the "ten-spot of faith," and particularly the "two-spot of benevolence" (we had never heard of the "deuce") was too much for our sense of humor, and almost spoiled the "rigor of the game."

I was a "little doffer" until I became old enough to earn more money; then I tended a spinning-frame for a little while; after that I learned, on the Merrimack corporation, to be a drawing-in girl, which was considered one of the most desirable employments, as about only a dozen girls were needed in each mill. We drew in, one by one, the threads of the warp, through the harness and the reed,

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and so made the beams ready for the weaver's loom. I still have the two hooks I used so long, companions of many a dreaming hour, and preserve them as the "badge of all my tribe" of drawing-in girls.

It may be well to add that, although so many changes have been made in mill-work, during the last fifty years, by the introduction of machinery, this part of it still continues to be done by hand, and the drawing-in girl - I saw her last winter, as in my time - still sits on her high stool, and with her little hook patiently draws in the thousands of threads, one by one....

When I look back into the factory life of fifty or sixty years ago, I do not see what is called "a class" of young men and women going to and from their daily work, like so many ants that cannot be distinguished one from another; I see them as individuals, with personalities of their own. This one has about her the atmosphere of her early home. That one is impelled by a strong and noble purpose. The other, -what she is, has been an influence for good to me and to all womankind.

Yet they were a class of factory operatives, and were spoken of (as the same class is spoken of now) as a set of persons who earned their daily bread, whose condition was fixed, and who must continue to spin and to weave to the end of their natural existence. Nothing but this was expected of them, and they were not supposed to be capable of social and mental improvement. That they could be educated and developed into something more than mere work-people, was an idea that had not yet entered the public mind. So little does one class of persons really know about the thoughts and aspirations of another! It was the good fortune of these early mill-girls to teach the people of that time that this sort of labor is not degrading; that the operative is not only "capable of virtue," but also capable of self-cultivation.

At the time the Lowell cotton-mills were started, the factory girl was the lowest among women. In England, and in France particularly, great injustice had been done to her real character; she was represented as subjected to influences that could not fall to destroy her purity and self-respect. In the eyes of her overseer she was but a brute, a slave, to be beaten, pinched, and pushed about. It was to overcome this prejudice that such high wages had been offered to women that they might be induced to become mill-girls, in spite of the opprobrium that still clung to this "degrading occupation." At first only a few came; for, though tempted by the high wages to be regularly paid in "cash," there were many who still preferred to go on working at some more genteel employment at seventy-five cents a week and their board.

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But in a short time the prejudice against factory labor wore away, and the Lowell mills became filled with blooming and energetic New England women. They were naturally intelligent, had mother-wit, and fell easily into the ways of their new life. They soon began to associate with those who formed the community in which they had come to live, and were invited to their houses. They went to the same church, and sometimes married into some of the best families. Or if they returned to their secluded homes again, instead of being looked down upon as "factory girls" by the squire's or the lawyer's family, they were more often welcomed as coming from metropolis, bringing new fashions, new books, and new ideas with them....

It must be remembered that at this date woman had no property rights. A widow could be left without her share of her husband's (or the family) property, a legal "incumbrance" to his estate. A father could make his will without reference to his daughter's share of the inheritance. He usually left her a home on the farm as long as she remained single. A woman was not supposed to be capable of spending her own or of using other people's money. In Massachusetts, before 1840, a woman could not legally be treasurer of her own sewing-society unless some man were responsible for her.

The law took no cognizance of woman as a money-spender. She was a ward, an appendage, a relict. Thus it happened, that if a woman did not choose to marry, or, when left a widow, to re-marry, she had no choice but to enter one of the few employments open to her, or to become a burden on the charity of some relative.

In almost every New England home could be found one or more of these women, sometimes welcome, more often unwelcome, and leading joyless, and in more instances unsatisfactory, lives. The cotton-factory was a great opening to these lonely and dependent women. From a condition approaching pauperism they were at once placed above want; they could earn money, and spend it as they pleased; and could gratify their tastes and desires without restraint, and without rendering an account to anybody. At last they had found a place in the universe; they were no longer obliged to finish out their faded lives mere burdens to mate relatives. Even the time of these women was their own, on Sundays and in the evening after the day's work was done. For the first time in this country woman's labor had a money value. She had become not only an earner and a producer, but also a spender of money, a recognized factor in the political economy of her time. And thus a long upward step in our material civilization was taken; woman had begun to earn and hold her own money, and through its aid had learned to think and to act for herself.


1."Merrimack Print": Lowell, Massachusetts, was located on the banks of the Merrimack River.

2 Hibernian: Relating to or characteristic of the Irish.

3 Robert Dale Owen: (1771-1858) British industrialist and socialist.

4 to see the "new converts" baptized: Although the Lowell mill girls were not known for their religious fervor, religious values were thought to make better workers, so the mill girls were encouraged to attend religious services. [Emphasis added - GF]

5 "Alonzo and Melissa" . . . "Three Spaniards": The Asylum, or Alonzo and Melissa: An American Tale, Founded on Fact (1811) by 1. Mitchell; The Children of the Abbey: A Tale (1801) by Regina Maria Roche (ca. 1764-1845); The Three Spaniards: A Romance (1801) by George Walker (1772-1847). All three novels are American.

6 Don Padilla: Juan de Padilla (1490-1521), Spanish rebel and popular hero who headed an insurrection against Charles V.


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