| Bibliography on Women, Families, and
      Gender Roles in Indian Media
Compiled by Ann Grodzins Gold from RISA-L discussions.Babb, Lawrence A. and Susan S. Wadley, eds. 1995. Media and the Transformation of
    Religion in South Asia. Philadelphia: University of Pennsylvania Press.  Bhattacharya, Rinki 1985. "Portrayals of Women in Indian Cinema."  In Indian
    Films Today: An Anthology of Articles on Indian Cinema. New Delhi: Tenth
    International Film Festival of India.  Chakravarty, Sumita S. 1993. National Identity in Indian Popular Cinema: 1947-1987.
    Austin: University of Texas Press.  [see chapter on "women and the burden of
    postcoloniality -- courtesan genre]  Derne, Steve 1995 "Cultural Arenas that Celebrate the Individual" from his Culture
    in Action, 94-103. Albany: SUNY. Dickey, Sara. 1995. "Consuming Utopia: Film Watching in Tamil Nadu." In Consuming
    Modernity, ed. Carol A. Breckenridge, 131-156. Minneapolis: University of Minnesota
    Press.  Dissanayake, W. 1993. "The Concepts of evil and social order in Indian melodrama:
    An evolving dialectic."  In Melodrama and Asian Cinema. Edited by W.
    Dissanayake, pp. 189-204. Cambridge: Cambridge University Press.  Ghadially, Rehana, ed. 1988 Women in Indian Society. New Delhi ; Newbury Park,
    Calif.: Sage Publications.  [contains 2 essays on films and 1 on television]  Gokulsing, K. Moti, and Wimal Dissanayake. 1998. Indian Popular Cinema: A Narrative
    of Cultural Change. Staffordshire, England: Trentham Books. See Chapter 5 "Women
    in Indian Cinema" pp. 75-90.  Gopalan, Lalitha. 1997. "Coitus Interruptus and Love Story in Indian Cinema."
    In Representing the Body: Gender Issues in Indian Art, ed. Vidya Dehejia,
    124-139. Delhi: Kali for Women.  Jacod, Preminda. 1997. "From Co-Star to Deity: Popular Representations of
    Jayalalitha Jayaram."  In Representing the Body: Gender Issues in Indian Art,
    ed. Vidya Dehejia, 140-165. Delhi: Kali for Women.  Kumar, K. N. 1995. "Women in Indian Cinema: Marginalised and Exploited."
      In Indian Cinema: Ebbs and Tides, pp. 33-51. New Delhi: Har-Anand
    Publications.  Monteiro, Anjali. 1998. "Official Television and unofficial fabrications of the
    self: The Spectator as Subject."  In The Secret Politics of Our Desires:
    Innocence, Culpability and Indian Popular Cinema, ed. Ashis Nandy, pp. 157-207.
    Delhi: Oxford University Press.  Rao, Maithili. 1995. "To Be a Woman."  In Frames of Mind:
    Reflections on Indian Cinema, ed. by Aruna Vasudev, 241-256. New Delhi: UBS
    Publishers.  Roy, Parama. 1998. "Figuring Mother India: The Case of Nargis."  In Indian
    Traffic: Identities in Question in Colonial and Postcolonial India. Berkeley:
    University of California Press.  Sunder Rajan, Rajeswari. 1993. "The Name of the Husband: Testimony and Taboo in
    the Wife's Discourse."  In Real and Imagined Women: Gender, Culture and
    Postcolonialism, 83-102. London: Routledge.  Thomas, Rosie 1995. "Melodrama and the Negotiation of Morality in Mainstream Hindi
    Film."  In Consuming Modernity, ed. Carol A. Breckenridge, 157-182.
    Minneapolis: University of Minnesota Press.  Zutshi, Somnath 1993 "Women, Nation and the Outsider in Contemporary Hindi
    Cinema." In Interrogating Modernity, ed. Tejaswini Niranjana, P. Sudhir,
    Vivek Dhareshwar. Calcutta : Seagull. 
 
 Revised: March 21, 2009 |