Johann Wolfgang von Goethe (1749-1832)

 
J. W. v. Goethe


Pretend there is no h in his name; in fact, contemporaries often wrote the author's name as Goete, and pronounce it gew - tuh

1749 Born in Frankfurt, then part of the Holy Roman Empire (now Germany)
1768 Begins Law studies in Leipzig
1773 Gothic Play Götz von Berlichingen

1774 Epistolary novel, The Sorrows of Young Werther, which causes Europeans to imitate the character's dress and final decision, is an example of the pre-Romantic Storm and Stress (Sturm und Drang) movement

German title page

1776 Begins civil service in the cultural capital of Weimar
1782 His royal patron, Duke Carl August of Weimar, ennobles him (now von Goethe)
1787 Tragedy Iphigenie auf Tauris
1789 "Heidenröslein" published
1790 First Italian trip; Torquato Tasso

Goethe in Italy
1795 Roman Elegies
1797 Hermann und Dorothea

1798 Bildungsroman (educational novel, novel of maturation or coming of age) Wilhelm Meister’s Apprenticeship Years

1808 Faust, Part I

1810 Work on optics, Zur Farbenlehre; Other scientific interests incl. biology, anatomy
1811-14 Composes autobiography, Dichtung und Wahrheit (Poetics and Truth)
1832 Faust Part II; dies in Weimar
1832-Present: Globally, Goethe is revered as the most famous German author and ‘great writer’



Key words and terms:


Pantheism = Goethe's belief that everything (pan) represents God (theism). This means that every living thing can embody a divine aspect.

romantic irony: Traditional irony is "a figure of speech in which the intended meaning is the opposite of that expressed by the words used; usually taking the form of sarcasm or ridicule in which laudatory expressions are used to imply condemnation or contempt" (OED). Ironic statements contain a gap between what is said, and what is understood. An ex. of verbal irony might be: "Oh, the weather's just great today." Yet the weather is cold, raining, and dark. The discrepancy between what is said, and what is meant, alerts the audience to how the speaker really feels (the weather is just awful) while drawing attention to what is wished for, and what is actually happening.
    According to Bennett, books like Werther exemplify romantic irony. Whereas traditional irony undercuts one perspective, in romantic irony, two perspectives continue to exist simultaneously, although the veracity or trustworthiness of the perspective may be questioned. Bennett calls this a dual or bifocal view of German Romantic writers (77). 


Works Cited

Bennett, B. "Goethe's Werther: Double Perspective and the Game of Life." GLQ 53.1 (Jan. 1980): 64-81.

"Irony." Oxford English Dictionary. 2nd ed. Clarendon: Oxford UP, 1989. <http://dictionary.oed.com> Online.