Date
|
Class Activities
|
Homework Due
|
R 9/6
|
Course/student intro.
Course + stud. intro.; What is the novel? In-class
writing on Modernity; Timeline |
No homework (see below) |
T 9/11
|
Dostoevsky Bio, Discussion Questions,
& Close Interpretation; Close Reading
Exercise; Def.
of Close Reading; Literary
Elements
|
Dostoevsky 1-64
[through Part 1, Ch. VI]; go to Blackboard > Online
Classes > 9/11 for instructions for today's online
class (posted no later than Monday at 1pm); see the Online FAQ |
R 9/13
|
Review: Why learn online? Rask. +
mod. life; Student Ques.; Doubles in C&P; Rask.'s
dream;
The
Woman Question; 5 Things; How to use Voice Board
|
Dostoevsky 65-131
[through Pt. 2, Ch. VI]; DISC. #1: Post 1 or more
discussion questions about Dostoevsky on
Blackboard/Discussion Forum/Dostoevsky. These questions
might include ones you would pose as an instructor of the
class, things you are confused about in the reading, or a
mix between the two. The purpose of discussion questions is
to open a dialogue between you and me; to make this a
student-centered classroom; and to help students become
better writers by becoming critical thinkers, or people who
question what they read. Discussion questions are not
evaluated, are not mandatory, but are taken into
consideration for your Participation Grade. Please feel free to
respond to other students' queries if you feel inspired to
answer; I will take such responses as extra credit for
your Participation Grade (and enjoy reading them, of
course).
|
T 9/18 online
|
Character Blog; Crime, and
Philosophical Reasons for Murder; Social Utopianism and Nihilism |
Dostoevsky 131-99
[through Pt. 3, Ch. III] |
R 9/20
|
Review; Religion and Women in
Crime and Punishment: and Sonya; Directed
Questions |
Dostoevsky
199-266 [through Pt. 3, Ch. III] |
|
T 9/25 online |
Dostoevsky as Drama |
Dostoevsky
266-330 [through
Pt. 5,
Ch. II] |
R 9/27
|
Party
Game Review; Keywords in C&P; Vocab. Close
Analysis; How to use iTunesU |
Dostoevsky
330-399 [through
Pt. 6,
Ch. III]
|
T 10/2 online |
Review; End of Crime &
Punishment
|
Dostoevsky
399-465 [through
end]; CLOSE
ANALYSIS (CA) #1 (Dostoevsky): Write a 1-2 pg.
(250-400 words) close
analysis on a passage from Crime and Punishment (see full assignment online). The citation (1-3 sentences) should
be at the top of the page. Analyze specific literary
elements in that passage and argue for their
significance in understanding the rest of the book.
Please avoid plot summary, and include a Works Cited. Although each individual analysis
is not graded, I expect you to complete at least 3 of
the 4 assigned journal entries, which will be graded
when they are presented in a revised Close Analysis
Portfolio.
|
R 10/4
|
Middle Class? Hermann
Hesse; Who is HH? |
Hesse 1-56 |
T 10/9 online |
Review; Modernism; Dada,
Surrealism, and Existentialism |
Hesse
56-102; DISC. #2: Write 1 or more orig.
discussion ques.: bring a copy for yourself to discuss in
class, and post them to Blackboard/Discussion Board. |
R 10/11
|
Review; Who are Hermine,
Pablo, and Maria? |
Hesse 102-58; see other
instructions on Blackboard/Online Classes. |
T 10/16 online |
Review; Immortals, Mozart,
and the Magic Theater |
Hesse 158-end; CA #2 (Hesse): Closely analyze a
significant passage in the novel. |
R 10/18
|
Justice under the Law;
Kafka's The Trial; Essay
assigned |
Kafka 1-53 |
T 10/23 online |
Authority and Gender in Kafka |
Kafka 54-131; DISC. #3: Write 1 or more orig. discussion ques.: bring a
copy for yourself to discuss in class, and post them to
Blackboard/Discussion Board. |
R 10/25
|
The Trial |
Kafka 131-198 |
T 10/30 online |
Review; Parables End
of Kafka's The Trial
|
Kafka 199-266; CA #3 (Kafka): Closely analyze a
significant passage in the novel.
|
R 11/1
|
Paper Drafting
|
Post
a paper proposal to Blackboard: 5 – 25 sentences
brainstorming about what you want to write about, what
specific questions you want to address, which texts
and which format you will choose. In the subject line
put the prompt number you’re responding to and 4w2 if you want
instructor's feedback. |
T 11/6 online |
Paper Editing online |
Post a copy of your draft
work to class (at least 2 pages) and post your
work-in-progress to Blackboard.
Your subject line should have the title of your paper and 4w2 if you want
instructor's feedback. |
|
R 11/8
|
End of The
Trial; Surrealism Surrealist
Manifesto; Second
Manifesto; Ques. about
Manifesto; Surrealism;
Surrealism and Breton
|
Read the Surrealist
Manifesto and skim the Second
Manifesto |
T 11/13 online |
Paper Submission;
Breton Bio
|
Close-reading Essay on
Two Modern European Novels due
on Bb/Safe Assign; read Breton 1-60 |
R 11/15
|
Review; Breton's Nadja; Translations |
Breton 61-108 DISC. #4: Write 1 or more orig. discussion ques.: bring a
copy for yourself to discuss in class, and post them to
Blackboard/Discussion Board. |
T 11/20 online |
Breton's Nadja; Refl. on the Mod. Euro. Novel
|
Breton pages
108-end; CA #4 (Breton):
Closely
analyze a significant passage in the novel |
R Thanksgiving
|
No class: Happy Turkey Day!
|
|
T 11/27 online |
Timeline; Prague
Spring
Kundera;
Socialist
Realism |
Kundera 1-82 (Pt
I and II) |
R 11/29
|
Javier Cercas
lecture in the Cohen Lounge in Dickson Hall
at 1pm
|
Kundera 85-138 (Pt
III); The class will attend a special lecture by a
modern Spanish novelist (Cohen Lounge) |
T 12/4 online |
Kundera and the Novel: Biography and Existential
Codes |
Kundera 141- 202
(through Pt V, ch. 5) |
R 12/6
|
Discussion of Close Analysis
Portfolios |
Close Analysis Portfolio due
as hard copy in class, and upload a copy to Safe Assign
(copy and paste into one document) |
T 12/11 online |
Kitsch;
Misogyny; Narrative
style |
Kundera reading 203-83 (through Pt VI, ch. 16)
|
R 12/13
|
Free Write: ULB? Final Exam
Review; Portfolios returned
|
Kundera 284-end
(Pt. VI, ch. 17 to end);
bring copies of Hesse, Kafka, and Breton to class for
review; Participation Packet (optional) due (print out and
staple your Discussion Questions) |
T 12/18 5:15pm
|
Take-home final due online
|
|