Modern European Novel (Fall 2012)


ENLT 376, Tuesdays online, Thursdays 1-2:15 in UN 2032 (double-check WESS before first day of class)
http://msuweb.montclair.edu/~nielsenw/12novel.html

Prof. Wendy Nielsen
Office Hours: drop in T 2:30-5:30, & by appt. in Dickson Hall 352.
Email: nielsenw@mail . . . 

Texts available at University Bookstore (all of the following are required):
Other required readings are posted on Blackboard: http://blackboard.montclair.edu/

Course description:  How can one challenge past traditions and conventions and still retain a sense of self? Yet what is so wrong with modern life that the tyrannies of the past--bourgeois family, gender inequality, and oppressive laws--still seem to haunt the present? During the so-called Modernist period--ca. 1910 to 1930--writers and intellectuals pondered these same questions, ones that we still consider today. In five notable novels, we will read and discuss characters who find themselves caught between things—between two world wars, between individualism and society, between male and female identity, between national borders, and between desire and reason. Students will leave this course with a profound appreciation for the ways in which the novel has evolved from 1866 to 1984. In order to understand the past and future of Modernist novelists (Hesse, Breton, and Kafka), we will read a predecessor (Dostoevsky) and a successor (Kundera). Satisfies: other literature/Post-1900 (1c/1e),  genre study/fiction (3/TE 3c),  multinational/international issues 4a/3a, and class issues (4e/3d); General Humanities major “Comparative Literature” requirement.

Requirements: Click here to get an explanation of my shorthand on Style issues, and my criteria for grading: http://msuweb.montclair.edu/~nielsenw/correction.html

#1: The Spirit of a Democratic Classroom: Respect, Collegiality, and Integrity

#2: Participation (10%): Incl. regular attendance, contribution to class discussion, fulfilling reading assignments, discussion questions, peer review, in-class and online writing assignments that occur in a timely manner.

#3: Comparison of Two Modern European Novels (Dostoevsky, Hesse, and/or Kafka)--30% (Assignment TBA)

#4: Close Analysis Portfolio (critical intro., 3-4 originals + at least 1 revision that highlights your editing skills, and all original close analyses with my comments on them)--30%: See full instructions at this link: http://msuweb.montclair.edu/~nielsenw/12novelca.html

#5:
In-class Final Exam (mostly on Breton, Kafka, Hesse, and Kundera, but incl. cumulative knowledge about the modern novel)--30%: No make-up dates!

Policies
:
To teach students to avoid plagiarism, lectures will also include instruction in MLA documentation of all work. This course engages in questions of authorship, including web authorship (http://chss.montclair.edu/~nielsenw/web.html). Submitting work and words that are not your own will result in failing this course and disciplinary action by the Dean of Students. You can see my entire FAQ on plagiarism here: http://chss.montclair.edu/~nielsenw/citation.html

Tentative schedule subject to change; please check your Montclair email and Blackboard for updates

Date
Class Activities
Homework Due
R 9/6
Course/student intro. Course + stud. intro.; What is the novel? In-class writing on Modernity; Timeline No homework (see below)
T 9/11
Dostoevsky Bio, Discussion Questions, & Close Interpretation; Close Reading Exercise; Def. of Close Reading; Literary Elements Dostoevsky 1-64 [through Part 1, Ch. VI]; go to Blackboard > Online Classes > 9/11 for instructions for today's online class (posted no later than Monday at 1pm); see the Online FAQ
R 9/13
Review: Why learn online? Rask. + mod. life; Student Ques.; Doubles in C&P; Rask.'s dream; The Woman Question; 5 Things; How to use Voice Board
Dostoevsky 65-131 [through Pt. 2, Ch. VI]; DISC.  #1: Post 1 or more discussion questions about Dostoevsky on Blackboard/Discussion Forum/Dostoevsky. These questions might include ones you would pose as an instructor of the class, things you are confused about in the reading, or a mix between the two. The purpose of discussion questions is to open a dialogue between you and me; to make this a student-centered classroom; and to help students become better writers by becoming critical thinkers, or people who question what they read. Discussion questions are not evaluated, are not mandatory, but are taken into consideration for your Participation Grade.  Please feel free to respond to other students' queries if you feel inspired to answer; I will take such responses as extra credit for your Participation Grade (and enjoy reading them, of course). 
T 9/18 online
Character Blog; Crime, and Philosophical Reasons for Murder; Social Utopianism and Nihilism  Dostoevsky 131-99 [through Pt. 3, Ch. III] 
R 9/20
Review; Religion and Women in Crime and Punishment and Sonya; Directed Questions  Dostoevsky 199-266 [through Pt. 3, Ch. III]
T 9/25 online Dostoevsky as Drama Dostoevsky 266-330 [through Pt. 5, Ch. II]
R 9/27
Party Game Review; Keywords in C&P; Vocab. Close Analysis; How to use iTunesU Dostoevsky 330-399 [through Pt. 6, Ch. III]
T 10/2 online Review; End of Crime & Punishment Dostoevsky 399-465 [through end]; CLOSE ANALYSIS (CA) #1 (Dostoevsky): Write a 1-2 pg. (250-400 words) close analysis on a passage from Crime and Punishment (see full assignment online). The citation (1-3 sentences) should be at the top of the page. Analyze specific literary elements in that passage and argue for their significance in understanding the rest of the book. Please avoid plot summary, and include a Works Cited. Although each individual analysis is not graded, I expect you to complete at least 3 of the 4 assigned journal entries, which will be graded when they are presented in a revised Close Analysis Portfolio. 
R 10/4
Middle Class? Hermann Hesse; Who is HH?   Hesse 1-56
T 10/9 online Review; Modernism; Dada, Surrealism, and Existentialism Hesse 56-102;  DISC. #2: Write 1 or more orig. discussion ques.: bring a copy for yourself to discuss in class, and post them to Blackboard/Discussion Board.
R 10/11 Review; Who are Hermine, Pablo, and Maria? Hesse 102-58; see other instructions on Blackboard/Online Classes
T 10/16 online Review; Immortals, Mozart, and the Magic Theater Hesse 158-end; CA #2 (Hesse): Closely analyze a significant passage in the novel.
R 10/18
Justice under the Law; Kafka's The Trial; Essay assigned Kafka 1-53
T 10/23 online Authority and Gender in Kafka Kafka 54-131; DISC. #3: Write 1 or more orig. discussion ques.: bring a copy for yourself to discuss in class, and post them to Blackboard/Discussion Board.  
R 10/25
The Trial Kafka 131-198
T 10/30 online Review; Parables End of Kafka's The Trial Kafka 199-266; CA #3 (Kafka): Closely analyze a significant passage in the novel.
R 11/1
Paper Drafting Post a paper proposal to Blackboard: 5 – 25 sentences brainstorming about what you want to write about, what specific questions you want to address, which texts and which format you will choose. In the subject line put the prompt number you’re responding to and 4w2 if you want instructor's feedback. 
T 11/6 online Paper Editing online Post a copy of your draft work to class (at least 2 pages) and post your work-in-progress to Blackboard. Your subject line should have the title of your paper and 4w2 if you want instructor's feedback. 
R 11/8
End of The Trial; Surrealism Surrealist Manifesto; Second Manifesto; Ques. about Manifesto; Surrealism; Surrealism and Breton   Read the Surrealist Manifesto and skim the Second Manifesto
T 11/13 online Paper Submission; Breton Bio Close-reading Essay on Two Modern European Novels due on Bb/Safe Assign; read Breton 1-60  
R 11/15
Review; Breton's Nadja; Translations Breton 61-108 DISC. #4: Write 1 or more orig. discussion ques.: bring a copy for yourself to discuss in class, and post them to Blackboard/Discussion Board.
T 11/20 online Breton's Nadja; Refl. on the Mod. Euro. Novel
Breton pages 108-end; CA #4 (Breton): Closely analyze a significant passage in the novel
R Thanksgiving
No class: Happy Turkey Day!

T 11/27 online Timeline; Prague Spring Kundera; Socialist Realism Kundera 1-82 (Pt I and II)  
R 11/29
Javier Cercas lecture in the Cohen Lounge in Dickson Hall at 1pm
Kundera 85-138 (Pt III); The class will attend a special lecture by a modern Spanish novelist (Cohen Lounge) 
T 12/4 online Kundera and the Novel: Biography and Existential Codes Kundera 141- 202 (through Pt V, ch. 5)
R 12/6
Discussion of Close Analysis Portfolios Close Analysis Portfolio due as hard copy in class, and upload a copy to Safe Assign (copy and paste into one document) 
T 12/11 online Kitsch; Misogyny; Narrative style Kundera reading 203-83 (through Pt VI, ch. 16)
R 12/13
Free Write: ULB? Final Exam Review; Portfolios returned
Kundera 284-end (Pt. VI, ch. 17 to end); bring copies of Hesse, Kafka, and Breton to class for review; Participation Packet (optional) due (print out and staple your Discussion Questions)
T 12/18 5:15pm
Take-home final due online


Aug. 2012